Through
an awareness of light, contrast, movement and design, Greg Kelly creates
compositions that capture spontaneity, romance, energy and emotion. Images
that intrigue, nothing ordinary. Drawing
on a classic fine-arts education and years of experience in the motion
picture industry, Kelly has developed a unique style. Greg Kelly is
a master of old-school techniques, a purist.
Although
conceptual portraiture of females is Kelly's primary focus, his schedule
allows him to photograph a limited number of weddings each year. Believing
the ritual of weddings is transformative, Kelly is fascinated by its
intensity and inherent art. His images, described as provocative and
soulful, combine elements of photojournalistic, commercial and fine
art techniques.
Kelly
maintains, "There is no take-two in the realm of wedding photography.
The challenge is to anticipate and interpret the day as it unfolds."
The
personality and believability expressed in Kelly's wedding images are
communicated again in his most recent endeavor, Feminie - Photography
of, for and about women.
Through
explicit interpretations of his subjects, he broadens the stereotypical
definitions of beauty, exposing new insights into the complexity, mystery
and raw emotion that is the essence of womankind.
Kelly
insists, "Technique is learned; creativity is manifested at conception
and develops through life experienced."
Greg Kelly, born on an unseasonably warm day in December, the son of
a Baltimore City cop and a mother seduced by the glamour of the garment
industry. Exposed to blue-collar discipline and Christian ethics, his
Irish-catholic upbringing had determined his destiny.
As a student at The Corcoran School of Art in Washington D.C., his creativity
was unleashed and recognized. Although he studied still photography,
Kelly was drawn by the lure of the movie business. Kelly's film career
spanned a period of fifteen years, during which time he was awarded
Director of Photography and Cinematographer credits on documentary films
for the National Geographic Society, WGBH Boston and the British Broadcasting
Corporation.
He
later moved into advertising, acquiring Producer and Director credits
on more than one hundred television spots, both commercial and political.
Disillusioned
by the greed and hypocrisy to which he was exposed in the motion picture
industry and the political arena, Kelly began to redefine his career
and stimulate his artistic passion by returning to his still-photography
roots.
Greg
Kelly is a man of vision. He remains true to himself by relentlessly
unearthing his philosophies and manifesting his perceptions into concrete
art forms.
Kelly's
images transport viewers to the quantum realms of soul where beauty
is eternal and a moment extends into forever. In his world, it is the
emotions that matter; all notions of rationality or practicality simply
fade away.
To
Kelly, life and art are intertwined. Each exists in relation to the
other; subject matter changes, people evolve, but for Kelly, the art
is constant. It simply manifests differently.
Kelly's
work challenges viewers to reach within themselves and question what
they see. To feel. By journeying beneath the surface, viewers gain an
expanded view of themselves, the art, and the world.
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